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LIGNA bei zwei Mal

play! Leipzig

Unterbrechung

Die Ein Dialog mit Laban

Samstag, 26.

Juni 2010 15 Uhr

Richard-Wagner-Hain, Leipzig
im Rahmen von

play! Leipzig

Life - a celebration: Rudolf von Laban, founded in the 1920s in Germany movement choirs, dance performances that should be celebrations, where all are involved. After 1933, understands the Laban movement choir as an expression of the rebirth of Germany in the spirit of National Socialism. Based on Laban's choreography "From Tauwind and new joy", developed the Laban for the opening of the Olympic Games in 1936, studied The interruption the relationship of body, community and sports in relation to public space of the performance. Why ended the draft community experience in dance as a fascist aesthetic? How does the idea for a cross-border festival today? Are there other models in the community?
- and great for the first time on stage:

THE NEW MAN

Four Exercises 24th in utopian movements

June, 19.30 and 21.30 clock, Leipzig Central Theatre, main stage

doing is better than feeling. Bertolt Brecht

Everyone has the dancers themselves.

Rudolf von Laban

creates the Taylor system of the theater the opportunity to play in an hour as much as we can deliver it into four hours. Vsevolod Meyerhold

What do you want a meaning for? Life is a desire, not a meaning. Charlie Chaplin

At the beginning of the 20th Century, under the shock of the First World War artist hoped for the abolition of art and life, to the revolutionizing of all relations with the help of art, to any entity other than the capitalist. These utopian visions have been forgotten. LIGNA takes in her first stage play four positions pronounced: three drafts of a new people, new collectives, a better life - and a fourth shot across. The poet Bertolt Brecht's didactic plays designs in the theater of a classless state by the gestures of the people, and thus the social situation as a whole will be changed. The dancers are Rudolf Laban movement choirs rehearse in collective gestures, the vibration power reshuffle. The director Vsevolod Meyerhold experimented in the young Soviet Union with biomechanical exercises, in which renewed the man's body. And the comedian Charlie Chaplin stumbles over all these utopian hopes.

The new man out of these movements in a theater without actors: the audience hears on the radio a performative radio play, it's not just consecutively become familiar with the four positions, but they also suggested exercises, movements and gestures. But not all at once. With headphones the audience in the four positions will be divided. Every fifteen minutes changing the program. Each group will play each position once, four times the same piece with different roles will be performed. This theater without a stage initiated movements and collective action makes unexpected capabilities visible. The new man is updated so that the hidden utopian hopes, and raises the question of the function of theater today.

spoke Edith Adam Rica Blunk, Thomas globules, Helmut Moos